![]() For this transition actually happens on the very instrument. It is just such an experience which distinguishes between everyday time and true essential time, which distinguishes between existence and essence.Īnd this modulation, this transition between the two, happens not through ‘depiction’ nor through ‘expression’ but through transformation or transfiguration by means of an instrumental symbol. And this is a highly specific aesthetic experience, the experience of a symbol. ![]() But it is just as possible to experience this phenomenon as a vital and essential transition from one state to another. It is possible to consider the passage across this difference as a purely mundane acoustical phenomenon and to make no particular issue out of it. Passing suggestions of Wagner and Mahler. Specifically in this particular context, the discourse springs from the difference between the means of extracting the normal sound from stringed instruments and the means by which harmonics can be made to sound. Tender, pleading lines intertwine with lush romantic lyricism tinged by a silvery coolness characteristic of Sibelius. 56 Voces Intimae (Intimate Voices) (composed. a knitting together of things of different significance) is not some sound or other, nor yet a conglomeration of sounds, but the separate constituent elements of a musical instrument or the properties of those elements. (free Australian shipping) TRACKLISTING JEAN SIBELIUS 1865-1957 1-5. This means that what appears as a symbol (i.e. In the course of many years my attention has been persistently drawn to an idea I call ‘Musical Symbolism’. This was the first time in my life I set myself the task of realizing a certain musical problem of great importance to me personally, not in a large scale form but in a small scale one. Composer: Smetana, Sibelius Repertoire: String Quartets No.1 From My. The Kocian do not, unfortunately, come off well. My second string quartet was written in 1987 to a commission from the Sibelius Quartet for the festival at Kushmo in Finland. The Dante Quartet draw out the emotions from Sibelius and Smetanas string quartets. I am comparing the Kocian Quartets performance of the Smetana to the Julliard Quartets recording (LP).
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